The kumintang is the name given to several distinct styles, techniques and forms in music and dance, probably originating in the areas used by early Spanish chronicles to denote a province centering around what is known as Batangas, on the southwestern part of Luzon. Early 19th-century travelers' accounts often mention the kumintang as a Tagalog"chant national", describing them as dance-songs performed by pairs of men and women, with texts concerning love and courtship. All accounts mention a glass of coconut wine passed from hand to hand by the dancers as they sing. Jean Baptiste Mallat describes it as a pantomimic dance where the man runs around and gestures to a woman, and finally pretends illness to get the woman's full attention. In the 20th century, Francisca Reyes-Aquino dubbed as kumintang the circular hand and wrist movement also known as the kunday. Among present-day afficinados of musical and dance events called awitan and pandangguhan in and around the city of Batangas, kumintang also refers to a guitar-plucking style, considered the most melodious and beautiful of all guitar styles accompanying the old kinanluran style of pandangguhan dance songs.
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