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1267, 1327 ITALY (Sicily) - Arab-Norman Palermo and the cathedral churches of Cefalù and Monreale (UNESCO Tentative List)

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Posted on 03.10.2014 (1267) - The Cathedral-Basilica of Cefalù
Located on the northern coast of Sicily, Cefalù deserves noted mainly for its Cathedral, begun in 1131, in a style of Norman architecture, which would be more accurately called Sicilian Romanesque. According to tradition, the building was erected after a vow made to the Holy Saviour by the King of Sicily, Roger II, after he escaped from a storm to land on the city's beach. The Cathedral was consecrated in 1267. The exterior is well preserved, and is largely decorated with interlacing pointed arches. On each side of the façade is a massive tower of four storeys. The interior of the cathedral was restored in 1559, though the pointed arches of the nave, borne by ancient granite columns, are still visible; and the only mosaics preserved are those of the apse and the last bay of the choir; they are remarkably fine specimens of the Byzantine art of the period (1148) and, though restored in 1859-1862, have suffered much less than those at Palermo and Monreale from the process. The figure of the Christ Pantocrator gracing the apse is especially noteworthy.

 

Posted on 08.11.2014 (1327) - The cloister of the abbey of Monreale
Located 15km south of Palermo, on the slope of Monte Caputo, overlooking the very fertile valley called "La Conca d'oro" (the Golden Shell), Monreale was for a long time a mere village, and started its expansion when the Norman Kings of Sicily chose the area as their hunting resort. Under King William II the large monastery of Benedictines coming from Cava de' Tirreni, with its church, was founded. The Cathedral of Monreale, one of the greatest extant examples of Norman architecture in the world, was begun in 1174 by William II, and in 1182 the church was elevated to the rank of a metropolitan cathedral. Enlightened, tolerant and appreciative of many aspects of North African and middle-eastern culture and art, the king employed the very best Arabic and Byzantine, as well as Normans craftsmen to work on the cathedral. The result is a fabulous and fascinating fusion of architectural styles, artistic traditions and religious symbolism.

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