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0433-0436, 1597 ITALY (Lombardy) - Milan

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1597 Milan - In clockwise: 1. Galleria Vittorio Emanuele II;
2.  Duomo di Milano (Milan Cathedral); 3. Teatro alla Scala; 4. Sforza Castle

Posted on 27.12.2012, 21.05.2015
Strategically placed at the gateway to the Italian peninsula, in the fertile Po Valley, Milan and the surrounding region of Lombardy have been the subject of constant disputes over the centuries. Celts, Romans, Goths, Lombards, Spaniards, French and Austrians have all ruled the city at some stage of its history and for the most part, the city has capitalised on its position and has emerged today as the undisputed industrial, commercial, financial and cultural powerhouse of Italy, and a leading global city, part of the so-called Blue Banana. The city is a major world fashion and design capital, and its museums, theatres and landmarks attracts over 6 million annual visitors.


0433 Milan - Piazza del Duomo (Cathedral Square)
 

Because Milan has always been a rich city, it has been also a place full of famous artists and offers a particular assortment of buildings and monuments. There was a change of culture and art in the Renaissance with big a contribution in the period of the Neoclassicism. The most important church is the Duomo di Milano (Milan Cathedral), dedicated to Saint Mary Nascent, the third largest church in the world. It occupies the most central site in Roman Mediolanum. Saint Ambrose's 'New Basilica' was built on this site at the beginning of the 5th century, with an adjoining basilica added in 836. The old baptistery, constructed in 335, still can be visited under the cathedral, being one of the oldest Christian buildings in Europe. When a fire damaged cathedral and basilica in 1075, they were later rebuilt as the Duomo.

0434 Milan - Duomo di Milano (Milan Cathedral)

In 1386, Archbishop Antonio da Saluzzo began construction of the cathedral, following the newest trends in European architecture. A French chief engineer, Nicolas de Bonaventure, was appointed, adding to the church its Rayonnant Gothic, a French style not typical for Italy, and in 1399 another French architect, Jean Mignot, was called from Paris. Many others have contributed to the construction, because the cathedral took nearly six centuries to complete, the last gate being inaugurated in 1965. The plan consists of a nave with four side-aisles, crossed by a transept and then followed by choir and apse. The height of the nave is about 45m, the highest Gothic vaults of a complete church. The roof of the cathedral is renowned for the forest of openwork pinnacles and spires, set upon delicate flying buttresses.

0435 Milan - Aerial view of Piazza del Duomo (Cathedral Square)

The Duomo is located, of course, in Piazza del Duomo (Cathedral Square), the main piazza (square) of the city, created in the 14th century and gradually developed ever since. Its current plan is largely due to architect Giuseppe Mengoni, and dates back to the second half of the 19th century. The buildings that mark its sides, with the exception of the Duomo itself and the Royal Palace, were introduced by Mengoni's design, the most notable addition being the Galleria Vittorio Emanuele II arcade. In the centre of the piazza was placed in 1896 the statue of Victor Emmanuel II, the first king of the united Italy. The last major change to the piazza occurred during the Fascist era.

0436 Milan - Galleria Vittorio Emanuele II

The Galleria Vittorio Emanuele II is the oldest shopping mall in Italy, originally designed in 1861 and built by the same Giuseppe Mengoni between 1865 and 1877. The structure is formed by two glass-vaulted arcades intersecting in an octagon covering the street connecting Piazza del Duomo to Piazza della Scala, more accurate The Duomo and the Teatro Alla Scala. The central octagonal space is topped with a glass dome. On the ground of the central octagonal, there are four mosaics portraying the coat of arms of the three Capitals of the Kingdom of Italy (Turin, Florence and Rome) plus the Milan's. The Galleria is often nicknamed il salotto di Milano (Milan's drawing room), due to its numerous shops and importance as a common Milanese meeting and dining place.

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